musical theater duets for two women

10 Musical Theater Duets for Two Females

Want more? Check out our second piece in this series: 10 More Musical Theater Duets for Two Females

Is there anything more powerful than a musical theater duet for two women? The emotion, the power, the breathtaking bits of unison singing — done correctly, it can leave an audience breathless.

For this list of lady duets, we focused purely on songs that work in a concert or cabaret setting. After all, there are plenty of lovely musical theater duets for women out there — but many lose their impact outside of the show.

Take “A Boy Like That”/”I Have A Love” from West Side Story — so powerful in the musical, but in a concert setting? That’s a lot to ask of an audience that isn’t invested in the characters (and it’s so.long.).

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We’ve also included links to sheet music for each of these songs. They’re affiliate links, which means that if you click on them and buy the music, we get a small commission to keep Theater Love going. Thanks for supporting us!

1. For Andrew Lloyd Webber fans: “God’s Own Country”

This beautiful piece, from The Beautiful Game, perfectly illustrates the genius of Andrew Lloyd Webber — impossibly melodic, irresistibly pretty (and yes, pretty predictable, but in the best way), and absolutely lovely for listeners.

It’s fun to sing — the little solo bits give both women a chance to shine, the unison lines are a nice chance to work on your blend, and the little bursts of harmony are super satisfying. If you’re planning a concert, this one is a great palate cleanser; use it after a song that’s more challenging for listeners.

Sheet music for The Beautiful Game

2. When you want something melodic but contemporary: “Flight”

This Craig Carnelia duet is a huge crowd-pleaser. It’s exceptionally well-written, both for the singers and the listener — the harmonies and the accompaniment create a gorgeous flood of sound that washes over the audience, so the words almost don’t matter.

Plus, it’s surprisingly singable for both contemporary and legit voices. And that unison note at the end? So effective.

Sheet music for “Flight” (digital download!)

Since none of us are Sutton Foster, this video proves that mere mortals can also handle this duet.

3. For singers with excellent facial expressions: “There’s Always a Woman”

Break out your best facial expressions for “There’s Always a Woman”, a duet that was cut from Stephen Sondheim’s musical Anyone Can Whistle. Sung by two deliciously catty characters, this one is fun for the singers and the audience. As you’d expect from Sondheim, the lyrics are jaded, a little dark, and sure to get a laugh. Our favorite? “She almost looks human – It must be the lighting.”

See also: Carol Burnett and Ruthie Henshall

Sheet music for “There’s Always a Woman” (digital download!)

4. When you want that Golden Age of Broadway sound: “Take Him”

“Take Him” overflows with that gorgeous vintage Broadway sound that’s characteristic of Rodgers and Hart. (Although, contemporary voices can also make it work, as evidenced here.) A classic duet for two females from the musical Pal Joey, this one shows off the individual voices, allows for some cute back-and-forth, and lends itself well to beautiful 40s or 50s-style concert dresses.

Sheet music for “Take Him” (digital download!)

Want a more contemporary vibe? Ellen Z. Wright and Jen Bechter prove it’s possible

5. For singers who want to bring the drama: “I Still Believe”

As with everything Claude-Michel Schönberg and Alain Boublil touch, “I Still Believe” is irresistible. The lyrics establish the drama right away: “Last night I watched him sleeping / My body pressed to him / And then he started speaking / The name I heard him speak…was Kim.”

This is one of those duets that’s so well-written that it goes straight to listeners’ hearts — even the musical theater purists who think Miss Saigon is a bit too poppy and sentimental. For singers, there’s no need to work for the intensity and emotion of the story — it’s all right there.

Sheet music for “I Still Believe” (digital download!)

Also, how much do we love Lea Salonga in any version of this song?

6. When you want a little bit of impressive belting: “You Rule My World (Reprise)”

It’s a little strange to add a reprise to a list of concert duets for women (this one comes from The Full Monty), but this one is fantastic. It’s short, catchy, super easy to listen to — and it has just enough belting to impress a more classically-minded (read: old) audience without irritating them. When you’re planning a concert, this is another great palate cleanser.

Sheet music for The Full Monty

See how it works in a concert setting

7. For two legit sopranos with broad ranges: “Perfect Strangers”

“Perfect Strangers” a bit of a unicorn in the post-1980 musical theater era — it’s written for legit singers, and it’s sung by a woman and a woman playing a man. This is worth explaining to the audience in advance to explain lines such as, “Too near to touch you! My dearest Ned, how much you mean to me”. The duet, which is from Rupert Holmes’ The Mystery of Edwin Drood, is a lovely legit piece with fantastic range, particularly for the singer playing Drood.

Sheet music for The Mystery of Edwin Drood

We actually prefer this duet in concert

8. When you need a musical theater duet for women with operatic voices: “That Horrible Woman”

Many female musical theater duets sound slightly off when they’re sung in an operatic tone, but not “That Horrible Woman” from A Gentleman’s Guide to Love and Murder by Robert L. Freedman. It’s written for legit voices, so you can let your full vibrato fly. In terms of story, this one is a little odd on its own — but the strength and intensity of the notes are so effective that it almost doesn’t matter. And for two singers who are also strong actresses, it’s no problem to create context in the moment.

Sheet music for “That Horrible Woman” (digital download!)

Here it is as a pure duet, without the men

9. To add a little (palatable) country/folk variety to your lineup: “We Make a Beautiful Pair”

Surprise your audience with a folksy twist with “We Make a Beautiful Pair,” a charming duet from the musical Shenandoah (music by Gary Geld, lyrics by Peter Udell). It has an Annie Get Your Gun vibe, and it’s not too twangy, so it should sit well with most anti-country listeners. Plus, it’s extremely fun to sing, even for legit or contemporary singers.

Sheet music for “We Make a Beautiful Pair” (digital download!)

This one doesn’t have much of a YouTube presence, but this video gives some idea of the song in concert (with some strange sound issues)

10. For an adorable older/younger singer pairing: “Two Peas in a Pod”

With its impossibly cute mother/daughter vibe and classic harmonies, “Two Peas in a Pod” from Grey Gardens is an adorable duet for an older and a younger woman. This one is sure to charm the audience, particularly if the signers can commit to the camp — bonus points if you can add in a little dance break!

It’s also unexpectedly cute with two younger singers

Sheet music for “Two Peas in a Pod” (digital download!)

When you’re picking Broadway duets for two women, look for pieces that are:

  • Fun to sing
  • Pleasant to listen to, especially for audience members with no knowledge of the show
  • Strong enough to stand on their own, both musically and story-wise

Sounds obvious, right? You’d think so, but many female duets — particularly in contemporary musical theater — fall short on one or more aspects. (We’re thinking in particular of “Sonya and Natasha” from Natasha, Pierre & The Great Comet of 1812…yikes.)

What other musical theater duets for two women are you loving right now?

Want more duet ideas? Check out 10 More Musical Theater Duets for Two Females

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  1. […] is a rare gem of a song that works for pretty much everyone. (We also love it as a duet for two women) Here are two versions — the first uses just piano (which is how we like it best) and the second […]

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